With original music in over 100 episodes of television, Nathan Engelmann is a passionate film and multimedia composer based in Los Angeles. Working with
Daniel James Chan, Nathan has written additional music on shows like Supergirl, Legends of Tomorrow, and Quantum Leap. He composed the score and songs for the multiple award winning musical film Wish Upon a Disco Ball (written and directed by Anabel Iñigo). Nathan has also worked with Marcelo Zarvos (Wonder, Fences, Ray Donovan), and David Schwartz (Arrested Development, Northern Exposure, Rules of Engagement). Nathan enjoys composing for video games, trailers, podcasts, virtual reality, TV, and short/feature length films.
As a young composer and performer, Nathan experimented with a multitude of genres and outlets for his music. Playing in a variety of styles and ensembles, he eventually worked as the keyboardist for Bob Marley collaborator Norma Fraser in 2011.
Nathan attended the University of Oregon, where he received his Bachelor of Music in classical composition. While at Oregon, he composed for numerous musical groups, including the Grammy Award-winning vocal ensemble Roomful of Teeth. He studied and performed as a pianist, vocalist, and conductor, eventually directing the new music vocal ensemble Sospiro. During this time, his concert works and film scores were featured at the Undergraduate Research Symposium and the Oregon Bach Festival.
Nathan received his Master’s degree from the world-renowned USC Screen Scoring program. At USC, Nathan was personally mentored by Christopher Young (Spiderman 3, The Grudge, Drag Me to Hell), Patrick Kirst (Disney’s Earth, The Kissing Booth), and Emmy Award-winning composer Laura Karpman (American Fiction, Ms. Marvel).
